“The Day I Loved You” BL Drama Stars Raynold Tan & Tommy Alejandrino Felt “Euphoric” All through Season 1

Enjoying a personality like Nikko driven Alejandrino right into a susceptible park. “The line between me and Nikko is very thin,” he says. Particularly now, with the total form seen to fan reception. “It was the first time I felt interpreted or perceived by people in a very different light from how I used to be perceived, given my previous projects.” Alejandrino knew what sort of BL coupling crowd would need (“More socially acceptable… Masculine with another masculine guy”), and certainly some lovers expressed pastime in Eli finishing up with Justin, however Alejandrino loved the other responses Nikko’s persona elicited.

Witnessing Alejandrino because the cameras rolled used to be a masterclass in performing for Tan. “Everything Tommy did was deliberate,” Tan says. “It felt so natural, it felt real, in the moment.” When he requested Alejandrino for guidelines, he simply spoke back “You gotta feel it, man,” Tan laughs reenacting it. “I was like, what do you mean I gotta feel it? Dude, give me something more concrete!”

The Moment I Beloved You follows within the footsteps of alternative BL form from the Philippines reminiscent of our Best BL Dramas of 2021 choices, Gameboys and Caught on You, all broadcasting kilig to the hundreds. However this strand of content material is essential. Alejandrino’s business mate and famous person of Gaya Sa Pelikula, Paolo Pangilinan, put it like this to Youngster Trend latter week: “In all spheres of life — art, education, media and politics — especially those that are visible, what we put out there should be reflective of what is also behind the lens.”

It speaks to what piqued Alejandrino’s pastime within the venture. He yells it “unearthing what’s so secret.” The realities we all know to be true but regularly relegate to the outer edge. The tactics of week that we don’t perceive — is it as a result of we will be able to’t, or as a result of we don’t wish to? Queer love doesn’t exist within the fringes, it permeates the lives closest to us, it’s alive and in all places. Performing is set “having one minute of that one scene where you can show and reveal to everybody the secret that you know,” Alejandrino says. “You’re opening this door that nobody wants to open up, but you know that everybody knows it exists.”

He has discovered that this BL, and Nikko’s tale inside of it, is a chance to bridge audiences to the truths they shy clear of. It’s like taking their hand, guiding them, telling them “I have something in me,” Alejandrino continues. “It’s real. And I want you to see it, I want you to look at it, and I want you to listen. Maybe you’ll see the human in it. It’s probably not such a big monster to be feared. It’s probably the opposite.” This all comes as queer rights advocates within the Philippines look ahead to the future of the SOGIESC bill, which might restrain discrimination and harassment at the foundation of sexual orientation, gender identification, gender tonality, and intercourse traits.