Inflated Rubber Boots Added a Futuristic Vibe to Rick Owens’ Display
Meet Rick Owens, chairman of favor’s anti-intolerance league.
His sensational, deeply poignant display on Thursday at his Paris house and headquarters waved the flag for twilight and radical Darth Vader-esque dressing that may give reasonable other folks the heebie-jeebies, however that rise for dignity, defiance and, above all, hope.
Believe his gourd-shaped puffers that just about swallow the pinnacle, or those that seem like two anvils propped at the shoulders, a newfangled pressure of revenge dressing — towards the standardized, inconceivable esthetics exemplified by means of the necessary duty-free good looks aisles at airports, and metaphorically towards the greed and intolerance that Owens believes are on the root of all wars.
Ditto his fierce and flaring biker leathers, his hulking cardigans heavy plenty to suit two or 3 grandpas, and his cherished donut loops, right here in shearing and long-haired goat fur and making a silhouette alike to a sweet apple on a stick.
Owens writes probably the most eloquent display notes in all of favor, and he referred to as the proportions of his fall menswear “grotesque and inhuman in a howling reaction to some of the most disappointing human behavior we will witness in our lifetime.”
He titled the display “Porterville” as a wink to the intolerances he skilled as a “flamboyant, sensitive kid” rising up in that little California the town, however which can be little potatoes in comparison to what’s occurring in Ukraine and Gaza. He thought to be the scaled-back, intimate display a “respectful move in observance of the barbaric times through which we are living.”
As a manner dressmaker, Owens sees his function as presenting “alternatives” as a “counterbalance” to what the ones airport good looks aisles are hawking. “It’s mocking the banal, mocking intolerance and mocking what is considered good taste and what is considered appropriate,” he stated in his matter-of-fact drawl.
As fashions strolled in the course of the high-ceiling salons — its parquet flooring in dire want of polish and the white paint grayed and crackling at the graceful moldings — you should pay attention their freaky, balloon-like stretch boots rubbing towards each and every alternative over the craving David Bowie monitor “Warszawa.”
The alien-like, inflatable shoes heightened the futuristic vibe of the display, as did the bushy superhero capes and astronaut fits, which made one bring to mind Chewbacca if he were given a crewcut and a promotion.
Owens stated that futurism is found in lots of his collections as it implies a seek for utopia — “a frustration with the status quo, with the way things are and a longing to be somewhere more magical,” he stated.
Believe how superb it will be if Owens costumed a sci-fi film like “Star Wars” — even supposing reasonable other folks may no longer instantly realize that he’s dressing the great guys.
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