Fashion Events

Style within the Dull and White Display

For gown designers Giovanni Casalnuovo and Maurizio Millenotti, growing the costumes for Netflix’s drama layout “Ripley” used to be a “unique challenge,” given the eight-episode display used to be filmed totally in black-and-white. 

According to the bestselling album layout through Patricia Highsmith, Netflix’s restricted layout stars Andrew Scott because the titular Tom Ripley, a grifter dwelling in Untouched York Town within the early Sixties, who travels to Italy nearest a rich guy hires him to persuade his son, Dickie Greenleaf, to return house. The layout additionally stars Dakota Fanning, Johnny Flynn, Eliot Sumner and John Malkovich.

Casalnuovo and Millenotti defined the layout’ costumes have been central to furthering the narrative, as the principle personality is going via a number of transformations as he embarks on a walk of deceit and brilliant dwelling all through his travels in Europe. 

“Tom Ripley’s wardrobe is a fascinating journey that reflects his internal transformation,” Casalnuovo mentioned. “Initially, his clothing is modest and practical. Clean lines dominate, hinting at an aspiration for sophistication, but also revealing limited resources. The muted color palette emphasizes a sense of restraint. As the story unfolds, Tom’s wardrobe begins to subtly shift. This evolution reflects his growing confidence and his attempts to navigate a world beyond his own.” 

Andrew Scott as Tom Ripley

Andrew Scott as Tom Ripley.


The layout starts in Untouched York Town in the 1960s, the place Ripley is committing petty crimes to maintain a meager way of life. His costumes mirror his precarious monetary place, with Scott wearing a scruffier and matted taste with blind items like a leather-based jacket. 

Because the layout is shot in black-and-white, Casalnuovo and Millenotti needed to leverage the costumes’ silhouettes, texture and patterns to support additional the narrative. The gown designers defined that generation Ripley’s costumes are anchored through vintage tailoring all over the layout, audience can see his transformation in the course of the shrewd main points of the clothes, corresponding to a clashing development or a cloth’s texture that signifies its property. 

“As the series progresses, we see hints of his evolving personality emerge through his clothing choices,” Casalnuovo mentioned about Ripley. “He might incorporate a subtly patterned tie or a textured fabric that suggests a desire for something more. The key to Tom’s style lies in the details. These details offer glimpses into his inner world and his aspirations.” 

Along with mirroring Ripley’s evolution, the costumes also are mentioned to mirror the geographical range all over the layout. The layout follows Ripley from Untouched York Town to a couple of towns in Italy, corresponding to Rome, Naples and Palermo. 

Andrew Scott as Tom Ripley

Andrew Scott as Tom Ripley.


The gown designers defined that every town had a definite glance, corresponding to characters in Rome showing extra velvety and adapted, generation characters in Naples or Palermo have been discoverable dressed in extra prints and comfortable kinds. 

For his or her analysis procedure, Casalnuovo and Millenotti said they didn’t reference the 1999 movie adaptation “The Talented Mr. Ripley” because the Netflix layout’ director, Steven Zaillian, had a special interpretation of the actual novels. 

They rather launched into a powerful photograph analysis option to as it should be mirror the craze of the past due Fifties and early Sixties in Italy, taking a look to photograph archives, side road markets, antique folk albums and alternative resources. 

“A major breakthrough came from a hidden gem — an obscure photo archive,” Casalnuovo mentioned. “There we unearthed a treasure trove of unseen and unpublished photographs depicting everyday life in Italy, particularly in the cities central to our story. These candid images provided a priceless window into the era’s fashion, social dynamics and overall atmosphere.” 

In spite of the demanding situations introduced with costuming a black-and-white mission, Casalnuovo and Millenotti glance again on the revel in fondly and consider they’ve taken away many learnings from the layout. 

“Through this process, we discovered a whole new way to think about costume design,” Casalnuovo mentioned. “Black-and-white became a powerful storytelling tool, allowing us to focus on the details and textures that would define each character and enhance the atmosphere of the series.” 

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